USA (Seattle, WA)
Soft Hills' basic songwriting core finds itself somewhere between the obscured melancholy of Red House Painters and the spaced-out pop sensibilities of mid-period Pink Floyd, but the edges are sharper in both directions on these songs. The straightforward album opener, "Golden Hour," has the same sung-spoken directness and chiming guitar plinks of the best Lee Ranaldo-penned Sonic Youth tracks, and the springy "Belly of a Whale" has the same lighthearted bounce and organ drones of Yo La Tengo.
Soft Hills' basic songwriting core finds itself somewhere between the obscured melancholy of Red House Painters and the spaced-out pop sensibilities of mid-period Pink Floyd, but the edges are sharper in both directions on these songs. The straightforward album opener, "Golden Hour," has the same sung-spoken directness and chiming guitar plinks of the best Lee Ranaldo-penned Sonic Youth tracks, and the springy "Belly of a Whale" has the same lighthearted bounce and organ drones of Yo La Tengo.
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