The Grateful Dead - Blues For Allah (MFSL Remaster) (2019)
| Жанр: | Folk-Rock / Psychedelic Rock / Blues Rock / Country Rock |
| Исполнитель: | The Grateful Dead |
| Дата релиза: | 2019 |
| Лейбл: | Нет данных |
| Тип: | Студийный альбом |
| Загрузил: | Angry Frank |
| Добавлено: | 13.07.2020 |
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Песни в альбоме
The Grateful Dead - Blues For Allah (MFSL Remaster) (2019)
7
Другие альбомы исполнителя The Grateful Dead
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01.06.2023 12:00:51
Mark Smotroff rediscovers an audiophile fave in a restored, remastered, reinvigorated hi-res download
This 1975 album by The Grateful Dead, Blues For Allah, has always held a curious spot in the hearts of many a Dead Head. Speaking of it in LP terms for a moment, “Side One” was just about as perfect a statement as the band ever made in the studio, with exemplary songs, performances and sound quality. “Side Two,” starts out strong with “Crazy Fingers” and then moves into the gorgeous instrumental “Sage & Spirit.” After that, the last 15 minutes of the album were often considered something of a let down as the band indulged in an extended mind trip song cycle kicking off with the dissonant-seeming title track.
A lot of mid-70s vinyl was pretty weak due to the oil crisis and cost cutting measures being taken by many a company — one of the reasons I started collecting “original” pressings of older albums in the first place actually… but I digress…
Anyhow, the potential for appreciating this rather challenging piece of music that was decidedly not rock, jazz, blues, folk, country or whatever after all the prior groovy melodicism was difficult.
Most times people would take the album off once “Sage & Spirit” had played; some like me would exit right after “Crazy Fingers,” frankly.
This 1975 album by The Grateful Dead, Blues For Allah, has always held a curious spot in the hearts of many a Dead Head. Speaking of it in LP terms for a moment, “Side One” was just about as perfect a statement as the band ever made in the studio, with exemplary songs, performances and sound quality. “Side Two,” starts out strong with “Crazy Fingers” and then moves into the gorgeous instrumental “Sage & Spirit.” After that, the last 15 minutes of the album were often considered something of a let down as the band indulged in an extended mind trip song cycle kicking off with the dissonant-seeming title track.
A lot of mid-70s vinyl was pretty weak due to the oil crisis and cost cutting measures being taken by many a company — one of the reasons I started collecting “original” pressings of older albums in the first place actually… but I digress…
Anyhow, the potential for appreciating this rather challenging piece of music that was decidedly not rock, jazz, blues, folk, country or whatever after all the prior groovy melodicism was difficult.
Most times people would take the album off once “Sage & Spirit” had played; some like me would exit right after “Crazy Fingers,” frankly.
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