High Life,
the second collaboration between Brian Eno and Underworld's Karl Hyde, began immediately after the completion of Someday World.
Its release follows a mere two months later. While some traits of the former are present here a heavy reliance on African-sourced rhythms, and hypnotically repetitive keyboard and bassline -- it is a very different companion. While the pair relied on more formal "song forms" on Someday World, High Life is looser. These six tracks place more value on jamming. The centerpiece is Hyde's guitar. It's front and center throughout, with myriad rhythm tracks close behind. A two-chord reinvention of Chuck Berry's signature riff commences album-opener "Return" before becoming subsumed in sonic treatments and Edge-like sounds. Nonetheless, that vamp worms its way into the brain and feet.
the second collaboration between Brian Eno and Underworld's Karl Hyde, began immediately after the completion of Someday World.
Its release follows a mere two months later. While some traits of the former are present here a heavy reliance on African-sourced rhythms, and hypnotically repetitive keyboard and bassline -- it is a very different companion. While the pair relied on more formal "song forms" on Someday World, High Life is looser. These six tracks place more value on jamming. The centerpiece is Hyde's guitar. It's front and center throughout, with myriad rhythm tracks close behind. A two-chord reinvention of Chuck Berry's signature riff commences album-opener "Return" before becoming subsumed in sonic treatments and Edge-like sounds. Nonetheless, that vamp worms its way into the brain and feet.
ну кроме Moulded Life и Cells&Bells хотя может я чего-то не слышу...Lilac хорошо получилась не скучно совсем, а return не понравилась, ну только после 6 минуты когда разнообразие пошло..
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