Bell Records

Описание:

In 1952 Arthur Shimkin bought the Bell label from [a=Benny Bell] and became President of the company. Head of A&R was [a=Morty Palitz]. The musical director was [a=Sy Oliver]. In its early stages, Bell recorded popular music and comedy. By 1959, Al Massler was President of Bell. Massler formed [l=Mala] Records in 1959 as a subsidiary label to Bell, Mala recorded popular, rock and roll and R&B music. Massler also formed another subsidiary, [l=Amy Records], in 1960. Amy recorded popular, rock and roll, ethnic, comedy and R&B. The original Bell records of the '50s generally tended toward cover versions of popular hits of the times, much as the [l=Tops Records] label did, or "generic" non-hit pop. After Massler became president, they concentrated more on albums, much like budget pop labels such as Strand. The orchestral backup was first-rate on many of these, with bands such as Sy Oliver and [a=Burt Bacharach] appearing. But generic pop music was dying out as the '50s closed, and by the turn of the decade, some changes needed to be made if the label was to survive. By 1959, the Bell label itself was almost inactive on the singles side, perhaps partly due to the aforementioned "image" problems. Instead of fighting Bell's established reputation when entering the rock and roll 45 marketplace, Massler shifted primarily to Mala and (later) Amy for singles, and used Bell as an album label. When one of the Amy singles ("The Madison" by [a=Al Brown's Tunetoppers], Amy 804) unexpectedly hit, an album called Madison Dance Party [Amy A-1] was quickly issued. Actually, "The Madison," which made #23 on the Billboard charts nationally, would have been a bigger hit had not Columbia put out a competing song, "Madison Time" by the Ray Bryant Combo, which split sales (the latter made #30). A second Amy album [A-2], was a tie-in with [i]Sick[/i] magazine (an early losing competitor to [i]Mad[/i] Magazine). By 1961, the Bell label itself was moribund, with a few albums and no singles being issued. The main activity was with Mala and Amy, each of which continued with about two dozen 45 issues per year, essentially without album issues. The Amy and Mala singles catalog was interesting, with most issues being well-produced stiffs, with an occasional chart single. [a=Larry Uttal], who was the owner of [l=Madison Records], folded his Madison label and shifted his artists to Amy and Mala near the end of 1961. He purchased Bell/Mala/Amy outright some time between late 1961 and early 1964. In 1955 the Dutch company ROVA closed an agreement with Bell Records to become their exclusive Dutch distributor. The records were imported directly from the United States and were sold for HFL.1,95, a price much lower than the prices of other records at that time. This explains the fact that so many Bell Records circulate in The Netherlands! In December 1958 ROVA started releasing their own productions on the Golden Bell label. Dutch songs recorded by Dutch artists like Kobus Robijn, Adri Tuinsma and Jenny Roda. ROVA continued to sell Bell Records on the Dutch market until the end of the 1950s, after which the company disappeared from the Dutch record market. Responsible for most of the releases by [a=Gary Glitter] and the [a=Glitter Band], [a=Slik], [a=Showaddywaddy], [a=Sweet, The] etc. during the Glam 70s; other artists included the [a=Partridge Family], [a=David Cassidy], [a=Solomon Burke], [a=Terry Jacks], [a=Barry Manilow], [a=Suzi Quatro], [a=O'Jays, The] (prior to their Philly Soul superstardom) [a=Tony Orlando and Dawn], [a=Melissa Manchester] and the [a=Fifth Dimension, The]. In 1974, it changed its name , to [l=Arista] and everything that was then currently on Bell was eventually reissued with the new name (though certain artists' material was still issued on the Bell label until the early 1980s in Britain). In Europe, Arista/[l=BMG] released several titles with the Bell name in the 1990s.